5º – One, Two, Three (Billy Wilder, 1961)
In East Germany, in the middle of the Cold War, a Coca-Cola executive is entrusted with the task of caring for the daughter of an important businessman. The plot gains its rhythm when the man discovers that it is impossible to keep the subject’s daughter under control, leading to a series of confusions for him. Very dynamic, ‘One, Two, Three’ doesn’t get to the feet of Billy Wilder’s greatest films, but, even so, it ends up making an excellent comedy.
4º – Crisis (Ingmar Bergman, 1946)
A young woman has her life completely changed when her birth mother decides to visit her. Belonging to the beginning of the career of the legendary Ingmar Bergman, ‘Crisis’ is an honest film in its onslaughts. Here, the figure of a small town transposes the eventual dramas faced by the characters, always erupting conceptually as an instance that limits the lives of various individuals.
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