3º – Persepolis (Vincent Paronnaud, 2007)
Irresistible and moving from the first to the last scene, ‘Persepolis’ explores the life of a girl, unraveling various stages of her life, during the Islamic revolution of the late 1970s. Powerful animation, the work still manages to denounce several of the horrors caused by human stupidity, without, however, getting heavy in its full exposure to viewers.
2º – Breakfast at Tiffany’s (Blake Edwards, 1961)
Based on the novel by Truman Capote, the film follows the life of a young woman of high social standing who falls in love with a man who has recently moved into her building. Aesthetically impeccable from the first to the last scene, ‘Breakfast at Tiffany’s’ also features a lightweight and engaging plot, drawing on Audrey Hepburn’s talent for commanding each scene.
1º – Interiors (Woody Allen, 1978)
Woody Allen’s Homage to Ingmar Bergman’s ‘Cries and Whispers’ classic ‘Interiors’ brings the life of incongruities of three sisters that ends up in a tangle of uncertainty when they find out that their parents are getting divorced. A cathartic experience of the synthesis of the erratic behavior of the human being, the film is a treat for the spectators assiduous by the similarities exposed in the works of Allen and Bergman.
