3º – Only Lovers Left Alive (Jim Jarmusch, 2013)
The calm and tranquil daily life of a couple of vampires is unraveled by the plot, exposing the exacerbated ways that they consume with the social apparatus. Pertaining to the cinema of the great Jim Jarmusch, ‘Only Lovers Left Alive’ is inserted more in the genre of drama to tell its history, taking advantage of a cold atmosphere and always quite cadenciada. An interesting work for those looking for a more particular look at the vampire subgenre in the seventh art.
2º – The Hunger (Tony Scott, 1983)
The plot works with an unpleasant love triangle, showing the life of a vampire, his partner wrapped in a battle lost with time and a third member that will make everything even more turbulent. ‘The Hunger’ simply brings together in its central triangle of history the presence of Catherine Deneuve, Susan Sarandon and David Bowie, a detail that alone is worth the ticket. However, much more than that, this beautiful film by director Tony Scott still boasts an impeccable aesthetic rigor, an interesting story and an engaging atmosphere that manages to completely catch the attention of the watchers.
1º – Interview with the Vampire: The Vampire Chronicles (Neil Jordan, 1994)
We will explore the limping journeys of some vampires, going through various stages of their immortal lives, and ever erratic contact with the human siege in the world. ‘Interview with the Vampire: The Vampire Chronicles’ is interesting in its central compendium of history, explaining a more sincere look on the most diverse ramifications of the mythology of the vampires. A good movie, getting even better with its formidable cast, with appearances by Tom Cruise, Brad Pitt, Christian Slater and Kirsten Dunst.
