20º – Moonlight (Barry Jenkins, 2016)
Several fragments of the life of a boy exploited by plot, bringing the intricacies of their heightened relationship with the world around them. ‘Moonlight’ can give an assertive look for a layer neglected by the cinema: homosexual relationships among blacks. Unquestionable masterpiece of cinema that remains the head of the viewer even long after it ends.
19º – Captain Fantastic (Matt Ross, 2016)
A father faces a major dilemma in his life after his life model inserted in nature, away from society, begin to present as a limiting factor for their growing children. ‘Captain Fantastic’ is a new pearl of cinema, offering a unique insight into the subjective consummation of life for many different individuals.
18º – Persepolis (Vincent Paronnaud, 2007)
Flawless and moving from the first to the last scene, ‘Persepolis’ explores the life of a girl, unraveling various stages of his life, during the Islamic revolution of the late 1970s powerful animation, the work can still report many of the horrors caused by human stupidity, without, however, be weighed in their full exposure to spectators.
17º – Brooklyn (John Crowley, 2015)
Allocated through the 1950s, the film tells the story of a young woman who decides to live in the United States, leaving your country and entering a completely different place than she was used to. ‘Brooklyn’ is light on his compendium of scenes, working with important concepts of everyday life of the human being assertively.
16º – Pretty in Pink (Howard Deutch, 1986)
In the plot, a poor girl living the teenage nuances to have to choose between two boys. ‘Pretty in Pink’ can bring the romantic anxieties of adolescence in an assertive and honest way, using of fascinating characters and the muse of talent John Hughes 1980s, actress Molly Ringwald.
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