6º – Submarino (Thomas Vinterberg, 2010)
Two siblings find themselves engulfed in a life of self-destructive routines, each in their own way, unable to overcome a tragic event in their childhoods. Chance here makes its appearance at various times, only to condemn the future of the brethren. ‘Submarino’ works by showing how some events in the personal history of each individual simply can not be forgotten by these.
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5º – 71 Fragments of a Chronology of Chance (Michael Haneke, 1994)
The work brings fragments of the lives of different people, apparently not connected to each other, before a tragic event. Their routines and habits are extricated for the spectator, showing the substance of their existences. Everything here is exposed in a crude way and without the slightest concern to leave the film pleasurable on the part of its director to the public. And that only leaves the experience of watching it more striking. A film that proposes to us several questions, but that does not distribute no answer.
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