7º – The Life Aquatic with Steve Zissou (Wes Anderson, 2004)
After his friend dies in a confrontation with a shark, a documentarist of marine life starts an expedition for revenge, getting into the most diverse confusions. Belonging to Wes Anderson’s cinema, this work takes advantage of a more unpretentious humor, reaching its highest quality point in its productive cast, especially in Bill Murray’s unretouchable performance as a protagonist.
6º – Amélie (Jean-Pierre Jeunet, 2001)
The film explores the trajectory of a young girl, unsuited to her social environment, in the world, showing all the intricacies that comprise her unique way of acting. Coming from the great French cinema, the film has an atmosphere that uses a magic model for each story resolution, always making itself very pleasant.
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