7º – Crazy, Stupid, Love (Glenn Ficarra, 2011)
Having to overcome a recent divorce, a middle-aged man decides to relearn how to deal with the single routine, coming to look for help in a young man to attract women. ‘Crazy, Stupid, Love’ is inserted in a different meander from the comedies we are used to, with a construction of history that uses worked scenes of comic situations.
6º – The Hand That Rocks the Cradle (Curtis Hanson, 1992)
In the plot, a couple decides to hire a nanny to share the domestic work, in view of the arrival of a new member in the family. However, what this couple did not expect was that the person hired was actually a woman whom they had indirectly injured in the past, revealing themselves with sinister purposes. There is no suspense film that better represents the characteristic elements of the genre in the 1990s than ‘The Hand That Rocks the Cradle’. A film that has its imperfections, but which are surpassed by the attractive plot. Not to mention that the title given to the film is fantastic and represents well what the story proposes to tell.
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